Hallie Flanagan |
Together this meant creating theatre across the country beyond New York, and bringing it to the people, with low ticket prices and by taking shows to new venues, including parks, hospitals and the streets for free. There were deliberate efforts to include minorities, as participants and as audiences. Emphasizing employment meant that while there was little money for materials, there were plenty of people to apply their creativity, ingenuity and enthusiasm to create productions with large casts and even larger ambitions.
Harry Hopkins |
But those most responsible for the Federal Theatre Project also had large dreams for an American theatre and its role in lifting the country out of its Depression while creating the framework for the future—in the words of Hallie Flanagan, “not an art which would be an occasional unrelated accompaniment to everyday existence, but a functioning part of national life.”
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